The Aurora Review

Fall 2004


Nora O’Connor
Til the Dawn
Bloodshot Records
Reviewed by Stormy Lewis

Buy Til the DawnWhile Bloodshot Records is perhaps best known for its energetic, insurgent country acts like Neko Case or The Old 97’s, Nora O’ Connor breaks from this tradition with a cozier, more mellow disc, Til the Dawn. She does this through a careful balance of simple, evocative vocals and complex melodies. Although the record is short, at only nine tracks, it fulfills the adage that good things come in small packages.

Til the Dawn is a collection of pre-rock southern music -- Blues, Folk, Country, and Zydeco -- that is matched with exquisite production to create something that sounds very fresh, if not new. Nowhere is this more apparent than on O’Connor’s cover of Johnny Mathis’ “Bottoms,” -- her voice turns Country-Blues in a song highlighted by touches of Zydeco and Acadian fiddle. On the other hand, her cover of “Love Letters” seems a bit trite, particularly for such a commonly done song. And, while she went for the lesser known Stevie Nicks song “That’s Alright,” O’Connor’s normally distinct voice comes just a bit too close to Nicks’.


When she moves away from these better-known ballads, O’Connor really shines. On the stunning “Revolver,” her voice is girlish when she pleads, “you know where I’m at/Don’t do it,” then grows brassy when she belts “come on home and let me love you.” O’Connor also shows off her songwriting chops on “Tonight” and “My Backyard,” a small sample to be sure, but one that leaves the audience wanting more -- particularly with such lines as “I don’t believe you/you always said if we got back together/I’d believe you.” “My Backyard” also offers O’Connor a chance to showcase her skills on guitar and harmonica, adding to a near perfect layering of music found throughout the album.

Nora O’Connor has clearly made the most of her time with Alt-country band The Blacks, and doing harmonies for such acts as Neko Case. Til the Dawn is the work of an artist on the cusp of greatness. With this quiet, folksy record, Nora O’Connor lights a gentle autumn blaze, as crisp and beautiful as scarlet leaves.



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