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On
December 26, 2004, our planet was inexorably transformed, not just
geographically, but demographically. The
full extent of the cataclysm in Southern Asia will probably always
remain incomprehensible, but in trying to
cope with a catastrophic event of this magnitude I found myself first
searching in vain for
answers in the
personal narratives and disturbing images emerging from Indonesia, Sri
Lanka,
Thailand, and their neighbors, and then turning to poetry, art, and music –
three creative forms especially suited for processing and expressing the intangible
and the inconceivable. Since the selection process for our Winter/Spring
2005 issue was occurring at the same time, I naturally found myself
gravitating toward these forms for much the same reasons, and a theme for this issue presented itself.
In the face of such
tragedy, I have become increasingly grateful for the artists and writers who
allow me to glimpse, ever so briefly, their creative landscapes. Thank you
to all of those gifted individuals who contributed to this issue, and indeed
to all of those brave enough to put themselves out there by submitting their work.
You truly are the reason we are here.
And, thank you once again to my friend
and coeditor, John, for contributing his time and editorial
expertise to this project.
This issue of The Aurora Review is
dedicated to the memory of the hundreds of thousands who perished in
December’s
tsunami and to all those who loved them and grieve their loss. May we
all find solace, if not answers, in
the angle of a brushstroke, in a poetic turn of phrase, in the
perspective of a photograph, or in the timber of a transcendent melody.
Be well and be safe,
Tracy
Cover photo by John Rashby-Pollock. Photo on
this page by Tracy M. Rogers.
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